• Review: The Hero of Ages

    Review of The Hero of Ages (Mistborn #3.0) by Brandon Sanderson (9780765316899)★★★★

    This book convinced me that Mr. Sanderson is basically the opposite of Stephen King or Neal Stephenson: the middle bits of his books can be a bit slow, but when the man writes an ending, holy heck he writes an ending!

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    Cover for The Hero of Ages by Brandon Sanderson

    Who is the Hero of Ages?

    To end the Final Empire and restore freedom, Vin killed the Lord Ruler. But as a result, the Deepness--the lethal form of the ubiquitous mists--is back, along with increasingly heavy ashfalls and ever more powerful earthquakes. Humanity appears to be doomed.

    Having escaped death at the climax of The Well of Ascension only by becoming a Mistborn himself, Emperor Elend Venture hopes to find clues left behind by the Lord Ruler that will allow him to save the world. Vin is consumed with guilt at having been tricked into releasing the mystic force known as Ruin from the Well. Ruin wants to end the world, and its near omniscience and ability to warp reality make stopping it seem impossible. She can't even discuss it with Elend lest Ruin learn their plans!

    The third book in the first Mistborn trilogy is such a dilemma for me. On the one hand by god it was slow. While Mr. Sanderson tried to create a narrative drive via Spook’s journey and so forth, the siege of Fadrex felt like it went on far far too long.

    On the flipside, the reveals in this book–the nature of hemalurgy, the backdrop of Ruin and Preservation, the history of the Kandra–were absolutely riveting! And man, that ending.

    But does it all make up for the plodding middle? I’m not sure. As far as individual volumes go, I think this one is the most flawed. But as a series, I remember why I loved it so much!

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  • Review: Elantris

    Review of Elantris by Brandon Sanderson (9780765311771)★★★★

    How do you summarize Elantris? It’s got mystery, magic, romance, action, political intrigue… and it all works while avoiding falling into classic fantasy tropes and cliches.

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    Cover for Elantris by Brandon Sanderson

    Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling.

    Arelon's new capital, Kae, crouches in the shadow of Elantris. Princess Sarene of Teod arrives for a marriage of state with Crown Prince Raoden, hoping -- based on their correspondence -- to also find love. She finds instead that Raoden has died and she is considered his widow. Both Teod and Arelon are under threat as the last remaining holdouts against the imperial ambitions of the ruthless religious fanatics of Fjordell. So Sarene decides to use her new status to counter the machinations of Hrathen, a Fjordell high priest who has come to Kae to convert Arelon and claim it for his emperor and his god. But neither Sarene nor Hrathen suspect the truth about Prince Raoden. Stricken by the same curse that ruined Elantris, Raoden was secretly exiled by his father to the dark city. His struggle to help the wretches trapped there begins a series of events that will bring hope to Arelon, and perhaps reveal the secret of Elantris itself.

    It’s been about a week and a half since I finished reading Elantris, which means once again this review is coming late, well after my initial impressions have faded. So, don’t expect too much.

    Despite being his first work, this feels like classic Sanderson to me. We have reversals of classic fantasy tropes. We have powerful female characters leading the fight for justice, something which I’m discovering is a bit of a fixture in Sanderson’s work. We have, of course, a fairly coherent magic system whose rules are the key to the big reveal at the end of the novel. And, of course, we have a bit of a Sanderson avalanche at the end.

    I will say, the slow reveal of the magic in this world was a bit frustrating, if only because it proves so critical in the final acts of the book. But, that issue aside, this book was well paced and exciting.

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