Posts from November 2020

  • Review: Elantris

    Review of Elantris by Brandon Sanderson (9780765311771)★★★★

    How do you summarize Elantris? It’s got mystery, magic, romance, action, political intrigue… and it all works while avoiding falling into classic fantasy tropes and cliches.

    (https://b-ark.ca/Ou8ws6)
    Cover for Elantris by Brandon Sanderson

    Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling.

    Arelon's new capital, Kae, crouches in the shadow of Elantris. Princess Sarene of Teod arrives for a marriage of state with Crown Prince Raoden, hoping -- based on their correspondence -- to also find love. She finds instead that Raoden has died and she is considered his widow. Both Teod and Arelon are under threat as the last remaining holdouts against the imperial ambitions of the ruthless religious fanatics of Fjordell. So Sarene decides to use her new status to counter the machinations of Hrathen, a Fjordell high priest who has come to Kae to convert Arelon and claim it for his emperor and his god. But neither Sarene nor Hrathen suspect the truth about Prince Raoden. Stricken by the same curse that ruined Elantris, Raoden was secretly exiled by his father to the dark city. His struggle to help the wretches trapped there begins a series of events that will bring hope to Arelon, and perhaps reveal the secret of Elantris itself.

    It’s been about a week and a half since I finished reading Elantris, which means once again this review is coming late, well after my initial impressions have faded. So, don’t expect too much.

    Despite being his first work, this feels like classic Sanderson to me. We have reversals of classic fantasy tropes. We have powerful female characters leading the fight for justice, something which I’m discovering is a bit of a fixture in Sanderson’s work. We have, of course, a fairly coherent magic system whose rules are the key to the big reveal at the end of the novel. And, of course, we have a bit of a Sanderson avalanche at the end.

    I will say, the slow reveal of the magic in this world was a bit frustrating, if only because it proves so critical in the final acts of the book. But, that issue aside, this book was well paced and exciting.

    Continue reading...